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輸入盤ブルーレイですが日本のブルーレイ・プレイヤーで視聴できます。※ご確認ください※一部輸入版アニメブルーレイには、「リージョンコード」とは別の「国コード」というものが設定されている作品がございます。お持ちのブルーレイ・プレイヤーが国コードをアメリカ等に変更できるかどうかご確認ください。（機種によりましては変更できない機種がございます。その場合はご視聴できない可能性がございますのでご注意ください。）国コードをアメリカ（日本以外）に設定してご覧ください。PS3、PS4、PS5は 初期設定で再生可能です。種別：BLU-RAYジャンル：Classical Artists発売日：2020/10/16ディスク枚数：1コメント：Gaetano Donizettis LAnge de Nisida was commissioned by the director of the Theatre de la Renaissance in Paris. The libretto was entrusted to Gustave Vaez and Alphonse Royer， and the opera en quatre parties was completed in 1840. Unfortunately the theatre went bankrupt and the opera never reached the stage. Donizetti was aware that other venues would have rejected his work as it stood， for both repertoire and censorship reasons (the plot revolved around the King of Naples， Ferdinando dAragona， and his mistress). Consequently， he revised the score and incorporated a significant portion of it within his new one， La favorite. The autograph score of LAnge was subsequently lost and it is only thanks to the painstaking research of musicologist Candida Mantica that it was brought to light again. She took on the huge challenge of classifying the roughly 470 randomly alternate pages of LAnge de Nisida that had survived at the Bibliotheque Nationale de France in Paris; she re-established their original order and finally managed to reconstruct roughly 97 percent of Donizettis music. The few gaps in the score were judged as irrelevant by both Mantica and Donizetti Opera， so that the opera was considered a complete work in itself， with no need for additions written by other composers. 180 years after its composition， the opera was finally performed for the first time in its original theatrical form in Donizettis native Bergamo， at the construction site of the city theatre bearing his name， a most symbolic coincidence that added emotional value to a long-awaited event. The performance was hailed as a triumph by both the public and the critics and was awarded a special prize at the 39th Franco Abbiati Prize of Italian music critics.